Zach Gallery | Art Gallery in Easton, Maryland

TRANSFERENCE
Color in Print

Cid Collins Walker

Rosemary Cooley

Sheryl Southwick

Stephen Walker

Kevin Garber

Exhibition on view

January 9 - February 28, 2026

Wednesday - Saturday | 10 AM - 4 PM

Artist Panel

Friday, January 9, 2026 | 4 PM

Join us for a conversation with exhibiting artists moderated by Anke Van Wagenberg, PhD

Senior Curator & Head of International Collaborations with the American Federation of the Arts

Reception to follow | 5 PM

About the Artists

Cid Collins Walker is a multimedia artist working in the fields of film and fine art.

Cid Collins Walker received her BA in painting from Scripps College in Claremont, California in 1974, and was awarded a studio fellowship with the Whitney Museum of American Art in 1975. She has worked with several distinguished artists in the fields of visual art, dance, film and theater including Merce Cunningham, Yvonne Rainer and for several years with Robert Rauschenberg’s master printer, Larry Wright. Her work has been exhibited in Maryland, Pennsylvania, Washington, D.C., Los Angeles and New York, and internationally in France, Holland, Belgium and Brazil. She has taught at American University, Catholic University, Chesapeake College, Maryland Institute College of Art and Towson State University. Walker lives and works from her studio in Oxford, Maryland. While proficient in many mediums, painting and printmaking are primary disciplines in her work.

Sheryl Southwick is a practitioner of a lithography printmaking.

Sheryl Southwick was born in Baton Rouge, LA, in 1952, graduating from LSU with a Bachelor of Fine Arts in 1974. She attended Blossom Kent Summer Arts in 1973, mentored by abstract expressionist Milton Resnick. Southwick is a member of Aqua Regia Press, housed on the campus of Anne Arundel Community College where she is a practitioner of lithography printmaking.

She currently teaches beginning printmaking, collage, and children’s art classes at the Academy Art Museum in Easton, MD. Her work is in public collections, including Mary Bird Perkins Cancer Center and Our Lady of the Lake Children’s Hospital in Baton Rouge, LA; Anne Arundel Community College in Arnold, MD; and Academy Art Museum in Easton, MD.

Recent national juried shows include Impression, A National Juried Exhibition of Printmaking, d'Art Norfolk; “29th Parkside National Print Exhibition,” U Wisconsin Parkside; “Peggy Doole National Small Works Show,” Washington Printmakers Gallery, Washington, DC; and “Imprint,” Maryland Hall for the Creative Arts, Annapolis, MD.

Her work was included in “Art in Treasured Spaces,” Goldstein Treasury Building, Annapolis, MD, sponsored by the Maryland State
Arts Council. Her work is in private and corporate collections in Maryland, Maine, Louisiana and other places.

World travel and love of art history both inform Rosemary Cooley's art.

World travel and love of Art History both inform Cooley’s art. Primarily a printmaker, she is also a painter, who draws on her life in Shanghai, China, where she studied under an ink painting master. Soft brushes with China ink are used on unsized Xuan paper, then embellished with various designs, often with metallic paint.

Her painterly monoprints have lately found a place in her small collages, where they are torn and cut, and arranged to create small storytelling evocations, sometimes harkening to medieval manuscript illuminations. Accents of 24k. gold leaf are used along with old script collected in world markets and printed on thin Japanese papers.

Before China, Cooley lived for fifteen years in Africa, Asia and South America. The resulting perspective of cultures together with printmaking studies in Italy, South Africa and the US, have melded into a world view of dreamlike quality. A believer that process can be more important than product, her prints produce a wordless language based in dreams and aspirations.

Rosemary is Vice President of Washington Printmakers Gallery, and a Board member of the Washington Print Foundation.

Her work is in the collections of the Academy Art Museum, Easton, MD, Georgetown University, Delbarton School, Morristown, NJ, the Corcoran Gallery of Art, (now held by the National Gallery of Art) the Martha Jefferson Hospital, Charlottesville, VA , the National Headquarters of Jesuit Colleges and Universities, the Library of Congress, Google Headquarters, Reston, VA, Netflix, Albuquerque, NM, and in private collections in the United States, South Africa, Belgium, Sweden, Venezuela, France, England, Italy, New Zealand, Japan and China.

Stephen Walker is a national award-winning artist.

Stephen Walker is a national award-winning artist who has exhibited his oil paintings, pastels, serigraphs, and human figure bronze sculptures for over 35 years. With a master’s degree in sculpture from the University of Memphis, this classically trained artist was a career educator in Montgomery County, Maryland on both high school and college levels in art and photography. Walker is an active member of the Working Artists Forum, St. Michaels Art League and the American Society of Marine Artists.

Kevin Garber is a fine art lithographer and Master Printer.

Kevin Garber is a Pennsylvania native who moved to Bay Hundred in 2008. Trained as a fine art lithographer, Kevin earned a Masters in Fine Art from the University of Nebraska. He taught printmaking and drawing at Washington University in St. Louis for ten years. As Master Printer at the University, Kevin ran the Collaborative Print Workshop, and published fine art print editions for dozens of renowned artists from around the world. Kevin opened and operated Fishing Creek Studios, a commercial sculpture studio in St. Louis for some 15 years. Today, he paints in his St. Michaels studio and provides art services to collectors in the region. Kevin’s work can be found in many private and corporate collections, including the Whitney Museum of American Art.

TRANSFERENCE Color in Print

About the Artists

Cid Collins Walker is a multimedia artist working in the fields of film and fine art.

TRANSFERENCE
Color in Print